蓝光纯音频: 浪漫主义的号角 The Horn in Romanticism

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The sound of the horn epitomized stormy emotions for composers of Romantic music. Robert Schumann is said to have spoken of the horn as being the orchestra's soul. For poets, the horn's sound was a symbol of the soul's longing. For horn players, however, what was at stake for much of the Romantic period was the soul of the horn itself, for it was an instrument that faced experiment and change occasioned by new technology, notably the invention of the valve. This recording explores and illustrates this important era in the evolution of the horn.

Music by Paul Dukas, Charles Gounod, Camille Saint-Saëns, Emanuel Chabrier, Carl Czerny, Franz Strauss, Robert Schumann and Richard Strauss

Sofienberg Church, Norway, June 2019

1. Paul Dukas (1865-1935) Villanelle (1906)
   

2. Charles Gounod (1818-1893) Andante From Six Pièces Mélodiques Originales Pour Cor À Pistons Et Piano (1839)
   

3. Camille Saint-Saëns (1835-1921) Romance Op 36 (1874)
   

4. Emanuel Chabrier (1841-1894) Larghetto (1875)
   

5. Carl Czerny (1791-1857) Andante E Polacca (1848)
   

6. Franz Strauss (1822-1905) Nocturno Op 7 (1864)
   

7. Robert Schumann (1810-1856) Adagio Und Allegro Op 70 (1849)
   

8. Richard Strauss (1864-1949) Andante (1888)

Pure Audio Blu-ray
2.0 LPCM 192/24
5.0 DTS HDMA 192/24
7.0.4 Auro-3D 96kHz
7.0.4 Dolby Atmos 48kHz